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June 19, 2014 at 3:03 pm in reply to: Starting a commercial FM radio station from scratch, is it possible? #13888mpegfailsafeMember
'Not sure about the rest of the world — However at least in terms of licensing (yet alone the costs of building out!) in the United States, getting ANY new FM signal on the air is a major headache these days. The Low Power FM filing window ended months ago, and the FCC's last one was like…. A decade ago.
A large number of religious broadcasters occupy the entire lower portion of the FM band, but what's irritating is that one small broadcaster might buy up multiple stations in an area, and then broadcast the SAME THING! It's like… Guys, that's cool. Do your thing, but you could at least let someone else do their thing too?!!! 🙂
I have seen this happen… Including a Community College that sold their 100+ Watt signal in Southeastern Pa. to a religious broadcaster…. Who already had a good signal in the same area…..
Meanwhile, the local community NPR station — Which is more or less stepped on in terms of listenership by Penn's [My bad, a tad below 3KW] blowtorch coming out of Philadelphia — Can't even increase their power, so they have bad multipath right next to their studio. Or, in their coverage area. (As a side note, they also feed their web stream off of the FM output of an Optimod 8500, and then run it at 128kbps mp3 stereo with a bad encoder. :).
Maybe the FCC will open up some new frequencies, if that's even possible. I mean it's not like most car radio can go below 87.7FM anyway, right? — I thought I saw something about it. But if you get a frequency that nobody can access….. It becomes only marginally better than that joke that is iBOC / HD Radio.
I have also seen a University lose a Class-A FM License to a religious broadcaster because the FCC looks at the number of people served. The other guy had a better antenna placement idea than the University. It was a number's game.
Ironically, this was the same broadcaster that did the whole Community College thing I mentioned earlier….. And the Community College did not want to sell their license to the University, but was almost taken over by a local PBS Affiliate who had a conflict of interest with multiple parties…. Yeah.
It's a brutal game, but fun to sit back and watch! 🙂
*Laughs.*
mpegfailsafeMemberIt would be a real shame to see this become abandonware.
There simply isn't anything like it for web streaming. I was able to make Stereotool close, but no cigar. I also don't want the distortion masking clipping for the web. 🙂
I think even an updated version WITHOUT UNDO would be great, that way at least any bugs that cop up would be fixed. While I haven't had any problems, I am also not running Broadcast, only Live.
mpegfailsafeMemberI found that I had to do something like this to get Live working correctly with an older Audioscience card, though the problem was flat-out stuttering upon the audio being connected for the first time.
mpegfailsafeMemberI should have known that. Totally forgot about the configuration utility. 🙂
mpegfailsafeMemberA work-around that might work is to install the demo of Breakaway *Broadcast* along with Live, and make sure to install four instances of it. This should give you four pipelines, that you can route audio between.
I *believe* that if you then remove Broadcast and leave Live, the pipelines should still appear.
I have a stream* setup where the input is the line input device of the professional sound card, and the output is Pipeline 3. EdCast takes the audio from Pipeline 3. I can then listen to the output by telling Windows 7 — under the volume control properties — to listen to the device on whatever I want, say, the sound card output itself, or event the front-panel headphone jack which runs on the onboard audio.
mpegfailsafeMemberGreat. Will you eventually share the STS file, or is it going to just be integrated into the next release?
mpegfailsafeMemberThanks for sharing! — It's rather interesting as the first clip (UNDO) seems to have a very subtle difference. The beta ND settings sound dramatically different though I suppose it becomes how should the track actually sound? This sort of thing makes me wish I had the stems for it just to hear what was going on in the beginning.
mpegfailsafeMemberI knew that the declipper was essentially the same. Interesting point about the "expansion."
The settings were pretty cranked up on that sample I posted, such as not having any band mixing or flat frequency response. Haha.
'Not sure how to go about having far better settings. Perhaps that question would be best saved for the Stereo Tool forums. 🙂
mpegfailsafeMemberYeah, I wanted to setup Replaygain but the sheer number of tracks (More than 16,000) makes scanning and re-writing all the files a huge issue. The automation software is BSI Simian, and I don't think it will read ReplayGain tags. I may be incorrect. — Crossfading is something I have to look into — It was never setup to begin with. Needless to say, if I could do so, I would scale back the library to below 3000. 🙂
Replacing the Compellor with the output of Breakaway live is something I thought about.
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