It actually does have more controls than Breakaway. AudioProc claims over 300, where Breakaway’s core currently has 152 controls (doesn’t include the FM backend). But I will also add that some of the controls in AudioProc are created with the purpose of adding distortion… so obviously the goals (and also the capabilities) of the two are completely different.
As Leif says…
quote :
This was always the goal of Breakaway Broadcast Processor — Pack the audio into the carrier as cleanly as possible, with as little distortion as possible, while being as loud as less scrupulous competitors.
Run the MPX Tool torture test on AudioProc, and on Breakaway, both at 100% modulation… load them into MPX Tool, and compare on fair even ground.
I’m not saying AudioProc isn’t as good, that’s for everyone him and her self to decide. But it does have some design aspects that have historically ALWAYS been considered major flaws, by everyone. I won’t go into that though, my intent is not to tear down anyone.