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Viewing 15 posts - 31 through 45 (of 631 total)
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  • Milky
    Keymaster

    Welcome, Kati. The website can be a little confusing, I agree.

    You can download the software you require at https://www.claessonedwards.com/download/.

    Typically, you install the software configure it and ensure that it all works to your satisfaction. Every option will work, but you get a voiceover inserted in the audio as a “nag” until it i registered.

    When ready, there is an option to generate a configuration file which you then send to john@claessonedwards.com and he will generate your licence key. You go to the “register” option and paste the licence data directly into the window, and you are up and running. If you ever change your network MAC address, you will have to apply for a replacement key.

    in reply to: PRESET OPTIMOD #17607
    Milky
    Keymaster

    I have a bunch of .amx (preset) files going back to around 2020. I really can’t remember where they came from, and many are experimental, but they do include some Orban presets which may not have ever been published.
    In BA1, you can import .amx files through the BARemote interface.

    If you are interested, I will try to upload them somewhere and provide you with a link. Of course, the usual disclaimers apply as these are not official \ly approved presets.

    in reply to: STEREO ENHANCER #17602
    Milky
    Keymaster

    I like (and use) Reference Settings as well, but with a little more “Power” and “Bass Boost” but again, it depends on the material.

    in reply to: adjusting AGC #17601
    Milky
    Keymaster

    Thanks for the input anyway, MrKlorox.

    in reply to: adjusting AGC #17598
    Milky
    Keymaster

    I’ve never edited the preset files, but, apparently, they are textual and will open in Notepad. One of our members, “MrKlorox” has made reference to making changes. Perhaps he will reach out and offer some guidance.

    in reply to: STEREO ENHANCER #17597
    Milky
    Keymaster

    I’m personally not a fan of stereo enhancer, but it depends on your material. A lot of the earlier pop music (Beatles, Rolling Stones, Roy Orbison) used very polarised stereo, with all the vocals in one channel and all the instruments in the other. Listen to Roy Orbison’s “I’m Falling” and, if you turn the balance fader all to one channel, you won’t her him singing at all!
    In cases like this, less is more.

    Similarly, if listening to your station on a car stereo, the driver is already left or right of centre, so boosting the already loud side may make it sound very lop-sided.

    in reply to: Adding a low latency output #17594
    Milky
    Keymaster

    Have you watched the video Leif produced? It goes through all aspects of setting up an FM station, including a low-latency core.

    in reply to: Adding a low latency output #17592
    Milky
    Keymaster

    Have you purchased a licence for that option? If you check their store, there is a US$49 fee for the additional functionality.

    in reply to: BAE and pipeline questions #17591
    Milky
    Keymaster

    I don’t think I have ever seen 3 buffers come up in the wizard – always 4 for both in and out. I actually wondered why there was an option to change down from 4.

    in reply to: Pipeline/VAC Settings #17587
    Milky
    Keymaster

    I’ve done some more research on this on the VAC website. In one section, it says that low numbers should be avoided, but elsewhere it says “The more is event frequency, the shorter is event period, the less is block size, the smoother is stream transfer, and the less is latency. But decreasing interrupt/event period causes increase of system timer resolution and timer interrupt frequency so system overhead is increased too. VAC driver sets system timer resolution to a half of the “MS per int” parameter specified.

    Large (more than 10-15 ms) values may significantly disrupt stream uniformity and even cause stream breaking.”

    I guess if you have a “grunty” PC, low (1 to 5) will work OK, but throw a greater load on the OS. Higher (10-15) may reduce the OS load, but could let too many other events get in the way of a smooth stream.

    in reply to: Pipeline/VAC Settings #17585
    Milky
    Keymaster

    Now that is very interesting. I believe that Leif launches VAC using command line switches, and this maybe where it is getting that parameter from. I’ll see if the command line can be modified.

    • This reply was modified 1 year, 1 month ago by Milky.
    in reply to: BAE and pipeline questions #17583
    Milky
    Keymaster

    Glad to hear that you have made some progress. WHat happens if you just run the BAE wizard now and let it figure out the best buffer size? Sometimes, you can get too hung up on trying to manually tweak the parameters. So long as you can’t hear any artefacts like crackling in the background, a bit of jitter is normal. If you go overboard with large buffers, you will have problems with lip-synching with your karaoke videos because BAE will fill the buffers before doing any processing.

    My son and I both have identical laptops, yet his settings are slightly different from mine. I assume its a firmware or chip revision thing, but I’ve never really looked into it.

    in reply to: PRESET PASSIVE AGGRESSOR #17575
    Milky
    Keymaster

    As with any preset, its effectiveness works better with certain genres. For instance, a station playing only classical or country music would respond better to some presets over others.

    What type of music do you mostly play?

    in reply to: BAE and pipeline questions #17573
    Milky
    Keymaster

    Sometimes, to uninstall the Pipeline, you need to go into Device Manager and remove the actual Pipeline (after you have run the regular uninstall). It seems to have a service which needs to be unloaded manually.

    in reply to: ASIO BEHRINGER U-PHORIA UMC202 #17570
    Milky
    Keymaster

    I didn’t really provide much of an answer. As an electronics engineer, I used to live with the small delays that analogue equipment imposed on the broadcast queue from desk > STL transmitter > STL receiver > final transmitter. We used to listen back from the desk via headphones connected to an AM/FM receiver, just to prove that we were ACTUALLY on-air (I have a funny story about this, if you are interested).

    Now that the audio from the source (like the presenter’s mic) goes through microphone processors, Orbans, Optimods, Breakaway or some sort of after-procsesing, the “what you hear in the studio) is bound to be delayed.

Viewing 15 posts - 31 through 45 (of 631 total)