Excellent, I got it worked out.
I still don’t like the idea of being forced to use a 16khz lowpass for webcasting, but I understand how it’s essential for FM to not disturb the 19k pilot. Although I’m streaming at 128k, it’s the same kinda *trick* you know for streaming at 96k but sounding better than the average 96k stream. So, the frequency range is higher than most 128k streams, which gives that little extra crisp treble.
I’m liking this version, but there’s too much stuff that isn’t needed for webcasting. Personally I think the only extra settings the web version would need is 15us Pre-emphasis, Phase scrambler and L/R Ref Level.
Great work. Looking forward to the web version 🙂