Sparky, replace those 19" units with a 19" computer and a 19" LCD and you’ll be all set 😀.
🙂. I played with that a bit in Adobe Audition the other day. It seems that using an extremely sharp inverse comb filter (i.e. one that leaves narrow spikes, not filters out narrow spikes) to create a fake L-R signal works surprisingly well.
Here’s the thing though. We definitely wouldn’t want to widen voice, so how would I tell voice from mono music apart? This would have to be a completely separate processor, or better yet, applied to files BEFORE they’re aired.
Doesn’t something like this exist already?? I would think it would.
///Leif