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That odd yet hip song by Owl City, Fireflies, is a good example of a song with a good variance of quiet and louder parts.
Blank & Jones – Fallen (with Delerium & Rani)
All India Radio – The Quiet Ambient
Faithless – Don’t Leave (Floating Mix)Another three tracks from me….
Ott – The Queen Of All Everything (amazing track!)
Nouvelle Vague – In A Manner Of Speaking
Juliet Edwards – Cajun Moon (Not great recording but good to adjust the dynamics, specially at the intro with the main song)Regards,
George[quote author=”yorkie98″]It’s great for it’s very sudden volume changes and high frequency attacks when the band kicks in after the quiet periods. Also some of the quite periods have a hard to manange acoustic bass and xylophones.[/quote]Sounds like a death trap for most processors. 😆 I’ll have to check it out, thanks.
Here’s a couple of bass heavy tracks that make most processors pump…
La Roux – In For The Kill (Skream’s Let’s Get Ravey Remix)
Kaskade & Deadmau5 – I Remember (Caspa Remix)An excellent tune for both dynamic range and also featuring loud Glockenspiel and piercing Xylophone is a piece of library music called "Grandstand" by the Keith Mansfield Orchestra. I now use this as my test tune as overshoots are very easy with this tune if not controlled, also it has a very full sound and great stereo field.
This may be very hard to get hold of legitamately so if you need a CD rip of this one I can send it to you.
As it’s library music, this is legal as fees only need to paid if used in a production, or broadcast.my song is: tiziano ferro & amaia montero – el regalo mas grande
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